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17.07.2024

Alexander The Great: A chivalric tale and lessons for the modern man

King Alisaunder's legacy lies not just in his conquests, but in the timeless values he represents. In a world that often celebrates cynicism, his unwavering commitment to chivalry offers a refreshing perspective.

By Raja Izz

While King Alisaunder's world may seem distant, the chivalric ideals he embodies hold valuable lessons for the modern man.

An AI-generated image of Alexander the Great is based on the physical descriptions given by Plutarch and Arrian.

 

Disclaimer

This article is intended to celebrate individual based on his chivalric ideals, regardless of religious affiliation. We recognize and deeply respect the significant values held by all religions, including Islam, Christian Catholic, Christian Orthodoxy, Buddhism, Hinduism, and others, which contribute to the rich cultural and spiritual tapestry of the world.


The concept of the "nine worthies" – a collection of historical and legendary figures embodying chivalric ideals – has captivated audiences for centuries. Among them stands King Alisaunder, a.k.a. Alexander the Great, whose tale, as chronicled in the 14th-century poem "King Alisaunder," offers a captivating exploration of not just conquest, but also the virtue of generosity. Before we dwelve down into the lessons of this poem, perhaps an awareness and understanding of the legendary poem will be great. Below is the plot summary of this poem:

Alexander The Great | Image by A.I.

 

14th-century poem "King Alisaunder" - Plot Summary

The astrologer Neptabanus seduces Olympias, wife of King Philip of Macedon, by disguising himself as the god Jupiter Ammon. She bears a son named Alexander who, aged twelve, kills Neptabanus and tames the wild horse Buciphal, for which he is named as Philip’s heir. As a young man, Alexander enforces Philip’s interests abroad, defeating his enemies and refusing to pay tribute to Darius of Persia. When Olympias and her lover murder Philip, Alexander briefly returns to claim his crown, before continuing his military campaign across Europe and North Africa. As he passes through Tripoli, an idol informs him that Philip was his real father.

Alexander lays siege to Tyre, losing many men. Darius continues to demand tribute and Alexander, still refusing, marches towards Arabia to confront him, sacking cities on his way. The two armies fight violently until Darius flees to Babylon, abandoning his men and his female relatives, whom Alexander looks after. Hearing that Darius is marshalling an even greater army, Alexander summons troops from his conquered territories and marches onwards. He sacks the city of Thebes, Athens reluctantly agrees to pay him tribute, and Macedoyne is surrendered to him by its female inhabitants. At length he reaches Darius’ troops, who are assembled on one bank of the Tigris, and sets up camp on the other. Alexander fails to swim across the river, and is rescued by his men.

Some of Alexander’s men cross the Tigris without his knowledge and ambush a section of Darius’ army. They kill many, but are driven back by Persian reinforcements. Alexander and the rest of his men intervene, and the battle begins in earnest. Darius promises his daughter to anyone who overcomes Alexander, but a Persian knight disguised in Greek armour fails to kill him.

Alexander tricks Darius into shifting his troops, then moves his own men across the river. He enters Darius’ camp disguised as a messenger, but is recognised and escapes, hotly pursued. At length, the Greek troops ambush the Persians after pretending to flee. In the ensuing battle, many men are slain and Darius retreats to Babylon. When Alexander does not reply to his request for peace, he sends to Porus, King of India, for help. Attempting to steal out of the city, however, he is mortally wounded by two traitors. Alexander discovers him and mourns his death, before arranging his funeral and hanging the traitors.

Alexander travels to India in pursuit of Porus, and the poet describes the cities and peoples of the continent. As they cross the desert, Alexander’s men suffer greatly from thirst, and their search for water leads them into confrontations with terrifying beasts. Finally they reach Baudus, Porus’ city. Alexander enters in disguise and tricks Porus into issuing a challenge: his army defeated, Porus agrees to accompany Alexander on his campaign throughout India. They travel widely, slaying those who resist them and observing many marvellous peoples and beasts.

Having subdued India, Alexander resolves to crush the wicked people of Gog (Ya'juj), Magog (Ma'juj) and Taracun. His men initially struggle against the underhand tactics of these hideous peoples, but after seeking the advice of an oracle, Alexander uses bitumen (obtained from the sea-dwelling Meopantes) to seal them into their land. He then proceeds to Africa and travels through Ethiopia and Egypt, observing their strange peoples and beasts. He returns to India, passing through the lands of Queen Candace, who declares her love via letter: Alexander rides on, but the queen’s metal smith creates an image of him.

After visiting the trees of the Sun and the Moon, which prophecy his death the following year, Alexander continues through the Caspian Gates, where great numbers of his men are killed by ferocious beasts. He seeks shelter and sends for reinforcements, in the meantime founding a noble city named after himself. Porus, learning of Alexander’s weakened state, plans to overthrow him, but when Alexander challenges him to single combat for control of India, is defeated and slain. Alexander consolidates his rule until Candulek, son of Queen Candace, appeals to him for help. Dressing one of his nobles as a king, Alexander defeats Candulek’s enemy in the guise of a lord and travels to Candace’s court. The Queen recognises him from his image, however, and induces him to become her lover: he remains with her until he is discovered by her second son, an ally of Porus.

Alexander returns to Babylon and begins preparations for a campaign in Africa. Before he can set out, however, he drinks wine poisoned by a recently deposed justice and dies. His men mourn his death, divide his lands, and bury him in the city that he founded.

From: Kyng Alisaunder, ed. G.V. Smithers, London, Early English Text Society os 227 and 237, London, 1952.
Manuscript: Oxford, Bodleian Library, MS Laud Misc 622.

Alexander Great's face and name depicted by various cultures and religions | Twitter


The Modern Gentleman: Lessons from a Legendary King

In our ongoing exploration of what defines a true gentleman, we turn to an unexpected source: a 14th-century poem about Alexander the Great. "King Alisaunder" reimagines the life of this historical figure as a chivalric romance, offering timeless lessons for the modern man of class.

The Essence of Leadership

Alexander's journey from prince to conqueror exemplifies key traits of a distinguished leader:

  1. Strategic Brilliance: His tactical acumen on the battlefield translates to a gentleman's ability to navigate complex social and professional landscapes.

  2. Adaptability: Facing fantastical creatures and unknown civilizations, Alexander shows the importance of grace under pressure—a crucial skill for today's gentleman.

Generosity: The Cornerstone of Class

Perhaps the most striking aspect of Alexander's character is his generosity. This virtue manifests in ways that resonate with the modern gentleman:

1. Cultivating Loyalty

A true gentleman recognizes and rewards those who stand by him. Like Alexander sharing the spoils of war, today's man of class ensures his team feels valued and motivated.

2. The Art of Diplomacy

Alexander's use of well-placed gifts mirrors the modern gentleman's understanding of building relationships. Whether it's a thoughtful business gesture or a personal token of appreciation, generosity opens doors.

3. Patronage of Culture

By supporting arts and sciences, Alexander showcases a refined appreciation for culture. Today's gentleman similarly invests in experiences and initiatives that enrich not just his life, but those around him.

4. Compassion in Action

True class extends beyond one's immediate circle. Alexander's aid to those in need reflects a gentleman's commitment to making a positive impact on society.

Balancing Ambition and Restraint

While "King Alisaunder" celebrates grand gestures, it also warns against excess. The modern gentleman must strike a balance:

  • Purposeful Generosity: Be strategic in your giving, ensuring it aligns with your values and creates meaningful impact.

  • Self-Awareness: Recognize when ambition might lead you astray. A man of class knows when to push forward and when to show restraint.

The Modern Gentleman's Code

Drawing inspiration from this legendary tale, we can distill key principles for today's man of class:

  1. Lead with Vision: Like Alexander, chart a bold course in your personal and professional life.

  2. Cultivate Relationships: Use your resources—time, talent, or means—to foster strong, loyal connections.

  3. Invest in Growth: Support initiatives that promote knowledge, creativity, and progress in your community.

  4. Practice Mindful Generosity: Let your giving be thoughtful and impactful, avoiding the pitfalls of excess.

  5. Embrace Adaptability: Face life's challenges with the same resourcefulness Alexander showed in his fantastical adventures.

In embracing these principles, the modern gentleman echoes the timeless qualities of a legendary king. He stands as a beacon of class, using his influence to uplift others and leave a lasting, positive legacy in an ever-changing world.

Further Exploration

"King Alisaunder" offers a rich story of themes beyond generosity. Consider delving deeper into the poem (available in modern English translations) to explore its exploration of leadership, ambition, and the nature of good and evil. You might also find it interesting to compare and contrast Alexander's portrayal with other "nine worthies" and how each embodies a different facet of chivalry.

 

Read more:

Nine Worthies: Legendary men of chivalric ideals and their enduring legacies


Portrait of Alexander The Great from a 14th-century manuscript "King Alisaunder"

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